SOUTH BAY DIGS | Digital Edition Online

July 12, 2019

DIGS is the premiere luxury real estate lifestyle magazine serving the most affluent neighborhoods in the South Bay and Westside of Los Angeles, California.

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M A R K E T L I M E L I G H T | 4 0 8 P A S E O D E L M A R T I M E in a V I L L A A historical home with a forever ocean view helps tell the tale of early Palos Verdes. W R I T T E N B Y C O N S TA N C E D U N N PHOTOGRAPHS: COURTESY OF TERI HAWKINS I n 1926, the country was in the midst of its boom years. Calvin Coolidge was president and Prohibition was still in swing. In Southern California, a swath of one of its most exquisite and untamed coastlines was slowly being fashioned into a residential subdivision by the Olmsted Brothers, who were famed for a prolific list of projects ranging from parks and neighborhoods to state capitols, libraries and universities. Among the first homes built in fledgling Palos Verdes Estates was a Spanish Revival villa architected by Winchton Risley, a model residence completed in 1926 with a red clay tile roof, white stucco exterior and a spacious courtyard flanked by two wings. "Palos Verdes was originally envisioned by the developers as a Mediterranean- type enclave in Southern California," says Todd Stanton, whose family, longtime Palos Verdes residents, purchased the home in the early 1980s. "It was home number fifty-five, built for the city of Palos Verdes," explains real estate agent Teri Hawkins. e model remains today, and in gleaming condition, a rare and unvarnished slice of an earlier time. Its neatly manicured front lawn, expansive and tailored with natural stone walls and boxwood hedges, make for an apt introduction, as does the graceful arched entranceway. Inside the home, original details abound, from handmade and painted tiles to orange-hued terracotta to hand carved mahogany doors and moldings. ere are also oak floors and earthy redwood ceiling beams, some with engraving. A few smart updates, notably a sunny farm kitchen, have been made in keeping with the home's original vision. "ere's such an understated elegance about the home," notes Stanton. (Given its pedigree and early 20th hand-craftsmanship, the home should remain as is. "e seller wants to sell the home to someone who understands its historic value, and wants to keep the integrity of the place," explains Hawkins.)

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