SOUTH BAY DIGS | Digital Edition Online

April 17, 2020

DIGS is the premiere luxury real estate lifestyle magazine serving the most affluent neighborhoods in the South Bay and Westside of Los Angeles, California.

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4.17.2020 | DIGS.NET 31 L E G E N D S | V I N C E N T V A N D U Y S E N An Essentialist in Antwerp A R C H I T E C T U R E + D E S I G N Architect Vincent Van Duysen adds another honest intervention to his repertoire of understated designs with his tour to de force transformation of a 19th century convent into an urban hotel. W R I T T E N B Y J E N N T H O R N T O N I n cobblestoned, culturally important Antwerp, the August hotel takes its name from its roots as an Augustinian convent but its design cues from Vincent Van Duysen. With the Belgian architect's commitment to materiality and pure forms unambiguous, so is the result—an exquisite capstone to decades in the upper echelon of contemporary design. August epitomizes the Van Duysen ideal: It is a space of deep soul and no conceit. What distinguishes the architect from his contemporaries, however, is that Van Duysen is an intellectual, as well, and approaches design from this place. "My parents educated me across many different arts as a child—architecture, painting, theatre—and my father had incredibly intuitive artistic skills," he says. "These were the primary influences for my appreciation and understanding of beauty and, from a young age, fostered a natural talent for creativity." In his parents' circle was a professor from the Sint-Lucas School of Architecture who explained to Van Duysen that, as he explains it, "the enduring quality of architecture was that it covered so many aspects of all of the applied arts I had been exposed to." This self-professed "pupil of postmodernism" established Vincent Van Duysen Architects in 1990 and has worked prolifically across architecture, interiors and product design while collecting accolades attesting to his expansive talent. Van Duysen also is the creative director of furniture brand Molteni&C and has conceptualized designs from Alexander Wang's London flagship, to a starkly modern farm in Belgium, to pottery and concrete objects lighting. No one dare argue that his work is of the most exquisite quality; if incongruity exists, it is in this question: Is Van Duysen minimalist or essentialist? His investment—insistence even— in achieving a timelessness for today is more of the essentialist feel, emphasized by Van Duysen giving affection no quarter so that grace, nuance, and clarity prevail. PHOTOGRAPHS: COURTESY OF ROBERT REIGER

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