SOUTH BAY DIGS | Digital Edition Online

May 14, 2021

DIGS is the premiere luxury real estate lifestyle magazine serving the most affluent neighborhoods in the South Bay and Westside of Los Angeles, California.

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50 DIGS.NET | 5.14.2021 P R O F I L E | L U S S H O U S E the space," says Luss, who, at 94 years old, is a collaborative partner in the show. "In my own life and work, I find it essential not only to create work daily, but to also live among the objects and work of other artists, expanding my vision of the world. I look forward to experiencing how this exhibition casts a light on my former home and sharing in the inspirations for us all." "Each of the three entities Blum & Poe, Mendes Wood DM and Object & Thing made an effort to represent their programs in a complementary way, by showcasing a diverse and multidisciplinary group of artists," explains Bangser. "For example, Blum & Poe highlights a new painting by Cecily Brown, which commands a prominent wall in the living room, hung above a large stone fireplace and surrounded by ceramic vessels and floor sculpture." Another outstanding piece, "Conjoined Bodies," is by Kishio Suga. "It is an installation of a freestanding aluminum loop weighted down by blocks of stone that was conceived in 1985 and later installed outdoors at the Biennale of Middelheim in 1989," describes Bangser. "Adapting the constituent parts to fit the space between two trees, it became an icon of his uniquely site-specific and adap- tive approach to art making. This work is recreated outdoors for the first time since then, between two trees on the land of the Luss House." Connecting different eras and disciplines, this show creates bridges in a seamless way. "We want people to step away from a visit to this exhibition with an appreciation for the ways in which art and design objects can heighten an experience with architecture and nature," Bangser explains. "If one leaves feel- ing more connected to an individual artwork they have seen, the home itself, or the story of Gerald Luss, then we have done something additive." geraldlusshouse.com KISHIO SUGA, SCENE OF ELAPSING CONNECTIONS, 2009, IN AT THE LUSS HOUSE: BLUM & POE, MENDES WOOD DM AND OBJECT & THING; © KISHIO SUGA, COURTESY OF THE ARTIST AND BLUM & POE, LOS ANGELES/NEW YORK/TOKYO KISHIO SUGA, VACILLATING PARTITIONS, 2013/2017, IN AT THE LUSS HOUSE: BLUM & POE, MENDES WOOD DM AND OBJECT & THING; © KISHIO SUGA, COURTESY OF THE ARTIST AND BLUM & POE, LOS ANGELES/NEW YORK/TOKYO KISHIO SUGA, INTERNAL BOUNDARY IN FORMATION, 2010, IN AT THE LUSS HOUSE: BLUM & POE, MENDES WOOD DM AND OBJECT & THING; © KISHIO SUGA, COURTESY OF THE ARTIST AND BLUM & POE, LOS ANGELES/NEW YORK/TOKYO EDDIE MARTINEZ, IDEAL LOCATION, 2021, IN AT THE LUSS HOUSE: BLUM & POE, MENDES WOOD DM AND OBJECT & THING ; © EDDIE MARTINEZ, COURTESY OF THE ARTIST AND BLUM & POE, LOS ANGELES/NEW YORK/TOKYO A R C H I T E C T U R E + D E S I G N

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