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J O U R N E Y S | A N O N I M O U S
woven panels on the staircase that leads
to the bathroom were made by craftsmen
from the state of Guerrero before being
sublimated by the Japanese technique of
Suminagashi in which undulating shapes
and red tones contrast with the geometric
ceiling. On the floor, Oxford gray granite
with leather finish and oak contribute to
delineate the different areas.
"We wanted to create a relaxed space with
several atmospheres," says Ornelas. "We
achieved this by configuring the restau-
rant with different heights marked by the
suspended lamps, which result in different
settings due to their shapes, dimensions
and how they bathe in light." The result is
eye-catching, warm and refined — all at
the same time.
Interior Design: Claudia Ornelas
www.estudioclaudiaornelas.com
is an invitation for diners to see how food is
prepared during their experience at Nama.
"For the selection of materials and colors,
we played with opposites, focusing
on the relationship between light and
dark, between fine and rough surfaces,"
says Ornelas, who worked with artisans
to develop very specific finishing and
textures.
HIATO Creativo, Claudia Montero, La
Tabla, D'Gabos, AR Taller de Diseño, La
Mexicana Galería, Dei Domotic, Telas de
Pani, Astratto Espejos Finos and Casa
Armida are some of the names behind the
furniture, lighting and accessories that
adorn Nama.
The copper lamps were produced by
craftsmen from the western part of Mexico.
A special hammering that gives the metal
an almost textile quality. Meanwhile, palm
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