SOUTH BAY DIGS | Digital Edition Online

December 15, 2017

DIGS is the premiere luxury real estate lifestyle magazine serving the most affluent neighborhoods in the South Bay and Westside of Los Angeles, California.

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A D B | K A A D E S I G N From Tower Grove Drive, looking out from a wonderfully designed home whose precipice is a hillside in the southern Santa Monica Mountains, the view is truly grand—a sweep that extends dramatically past Los Angeles to the Pacific. And yet the home itself is intimately attuned to the site-specific setting right outside its expanse of its windowed walls. KAA Design, a boutique studio in Los Angeles, helmed the three-year project, which produced a sustainable two-story structure at its heart. e architecture, a warm, elemental mix of wood and stone, featuring clean lines and other early-modernist undertones, is best understood as an engagement with both the landscape and its homeowners, a couple much inclined toward nature, whose previous home was far more traditional than the Tower Grove contemporary they now inhabit. And while their view from the top is certainly magnificent, so too is the hillside, a thing of real beau, honest and humanly scaled, a harmonious blend of natural and manmade environments. F 102 DIGS.NET | 12.15.2017 is is the point. "One of the things that we bring to the table is a holistic design approach that really looks at the project as not only a house on a proper or a hill, in particular, but a house integrated with the hill," says Duan Tran, partner and principal architect at KAA Design. "How will the architecture and landscape come together to create an indoor/outdoor experience?" e answer is swi and assured: "We do this collaboratively," says Tran. In working together from the outset, a KAA Design project not only has a sense of aesthetic, but a visual logic as well. With Tower Grove Drive, the collective approach produced a fluidi not only felt, but pervasively so, from the motor court to the courard garden and beyond. Fundamentally important to all parties was that the architecture be sensitive to nature—to try and, as Tran puts it, "stay out of the land as much as possible, but to work with the hillside." Tree placement, plant selection and the use of gray water from the house to help irrigate the landscape were all facets of the exterior scheme.

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